PLEASE NOTE THAT AFTER THE INTERVIEW BELOW WAS FILMED, THE VENUE 4TH AND B CLOSED ITS DOORS AND BOWED OUT OF HOSTING THE EVENT. IT HAS SINCE BEEN MOVED TO THE WORLD BEAT CENTER IN BALBOA PARK (BIG UPS TO MAKEDA)

We recently sat down with Tom Searcy, the editor of NUG Magazine to discuss all of the responsibilities that his position holds. In addition, we talk about the content that is provided by NUG Magazine and its Online Publications, and the awareness that they are bringing with regard to cannabis and cannabis related products. Tom puts a huge emphasis on the music, and believes that it is an integral part of the movement, as acceptance towards music, lifestyle and cannabis can only yield a positive result.
We also talk about the upcoming Barrington Levy show, that features Stranger, Piracy, and Tribe of Kings Sound System at The World Beat Center in Balboa Park on Friday, December 14th. For tickets, goto DABCITY.COM. And Now for the interview:
Category Archives: Socal Reggae Spotlight
Socal Reggae Spotlight :
Jonny Tarr
Many San Diego reggae fans will know Jonny Tarr as the the sax player in that fabulous horn section from Shoreline Rootz, however there is another side to Jonny that is emerging in the scene: Jonny’s solo act. And when I say solo, I mean just him, by himself. Jonny has mastered the loop pedal and can show up at a moment’s notice, and deliver a full sound with drum beats, keyboards, guitar, and of course the sax.
Originally from Cardiff, Wales, Jonny Tarr picked up the saxophone at the age of 11 thinking it would get him girls. After cutting his teeth in the British Jazz scene, he studied music at Paul McCartney’s Liverpool Institute for the Performing Arts and went on to play all over Europe, and as far Japan and the US over the next decade. Now a permanent resident of the United States, Jonny Tarr has been working on making Electro-Acoustic Soul music. Playing at San Diego’s clubs and music venues, Jonny has been refining his sound and is now ready to take it further. With debut album ‘Move Yourself’ available on i-tunes and all other quality digital platforms, it is now time to take his solo multi-instrumental act into the publc domain. Having played and recorded with the likes of The Nextmen, The Part Time Heroes, Backini and Flevans in the UK, Jonny’s pedigree and reputation as a musician of quality and dependence precedes him.
For more inofrmation on Jonny, you can go to his WEBSITE
Project: out of bounds – Video Release Party The Army – at Winston’s in O.B.
The video for “The Army” has been a long time coming for POB. They started working on this video about 2-3 years ago. Let me rephrase that: WE started working on it about 2-3 years ago with them. To further explain, SoCal Reggae (Thomas Persichilli and Leucadia Bob) actually met right around the time that this video was being conceived. It began in Leucadia Bob’s garage after he went on eBay and ordered a green screen kit. At the time, Nate was not the bass player, and Jeff and Evan weren’t even in the band.
![IMG_2200[1]](http://socalreggae.com/wordpress/wp-content/uploads/2012/09/IMG_22001-300x197.jpg)
On far left and right, Socal Reggae Co-Founders Leucadia Bob and Thomas Persichilli. Tom Searcy and Paloma Isabel in the center.
Thomas worked tirelessly on editing this video, learning as he went; knowing nothing about video editing when he started. Using Vegas Video on a High Performance PC, a multitude of special effects started to materialize,bringing a level of professionalism that is seldom seen from something that started in a dingy Leucadia garage. Everything was shot in HD, and each individual was filmed separately in front of the green screen. Eventually Thomas moved in with Leucadia Bob and SoCal Reggae HQ was established. The living room was converted into a studio and the Green Screen Alcove was created.
Kris had a very rough idea of the content that he wanted in the video, plus a few sketches with story boards, but in the beginning we were all just getting a feel for what was to come. There were a lot of test shots and reshoots, and there was a bit of a learning curve. It seemed like we would be doing this forever. Indeed, one of the most challenging aspects of filming a video on a low budget is getting the band to show up. Let’s face it, POB is a great band, but everyone has a life and work schedules to keep up with.
The Army is essentially taking a stab at the music business in general. We all love music, but there are a lot of factors that go into putting on a show: the club, the employees, security, promotion, overhead costs, and most important: the band that entertains you. At the end of a show, everyone needs to get paid, otherwise there is no motivation to be in this business. This song and video illustrates the sleazy side of it all. Contrary to what you may be thinking, there are a lot of bands that do not get paid. A variety of reasons can serve to support this, such as “not enough of a crowd draw” or “liquor sales were low”, but in the end, stiffing the band is generally not a good practice. Ultimately, the only people the band can rely on are the fans: they are your ARMY in a sense, and they will support you in any way that they can, including a boycott of ANY Club that does not properly compensate.
So this coming Wednesday, September 12th, POB will be celebrating and premiering this new video at Winston’s in Ocean Beach, when they play DJ Carlos Culture’s CLUB KINGSTON show (Around 9PM). Please join us, as it is a video that has been anticipated for awhile. We hope you enjoy watching it as much as we enjoyed making it.
A few looks at some video screen caps:
- Story board for “The Army”
- The Band, as seen in the Army Video
- Screen cap of the Live Action cut sequence
- Silhouettes of the band with the Robot
- Live footage shot at the Bar Leucadian
- Kris with the ‘Sun and Wings’ graphics
- Austin seen with the ‘Sun’ logo
- On far left and right, Socal Reggae Co-Founders Leucadia Bob and Thomas Persichilli. Tom Searcy and Paloma Isabel in the center.
Teaser Trailer:
Ziggy Marley, Wild and Free at the Race Track
Ziggy Marley’s annual visit to Del Mar was an unforgettable event. Del Mar’s summer concert series this year booked huge names like Steel Pulse, Jimmy Cliff, Ozomatli, and the Offspring. Of course, they saved the best for last: Ziggy Marley. Ziggy’s shows are always a guaranteed success at the track, bringing thousands of San Diegan’s together for a night of conscious music. This year’s show upheld this tradition.
San Diego’s own Stranger took the stage in the beer garden while people began placing their final bets at the races. DJ Carlos Culture followed Stranger’s act, spinning for the diverse crowd until it was time for Ziggy’s opener. The month of August delivered a huge blue moon for the show. The police presence was undeniable. More officers patrolled the grounds than any other concert I’ve seen this summer. However, this did not even begin to put a damper on the last big blow out of summer. San Diego had come to ‘Mash up the place’. The track’s main attraction for the weekend was the beer garden and reggae festival.
An anxious crowd patiently waited through the opening set. Nikka Costa’s music was soulful and fun, but the masses had undeniably gathered for Ziggy. When Ziggy took the stage around 8:30, the entire grounds shook from the hyped up crowd. San Diego wanted to come out, hear good music, and hang with chill people. Mission accomplished. Ziggy’s positive energy and message of love set the mood for a friendly gathering of San Diego’s music enthusiasts. This was not your average San Diego reggae show. Ziggy Marley’s success has put him in a place where he is not only one of the greatest reggae superstars ever- he is one of the greatest musicians ever. His appeal is evident in his honesty. Ziggy’s performance bares his soul to the audience. His own children made an appearance, dancing along to their talented father’s music on one side of the stage. As Ziggy put it, “This is not just entertaining; this is a mission.” This made me realize that when he comes to play a show, he is also here trying to create unity in San Diego.
Ziggy’s set included some old favorites like “Justice,” “Tomorrow People,” and “Look Who’s Dancing.” He also played some of his newer material like “Wild and Free,” and “Love is my Religion”. His skanking tune “Black Cat” was a big hit, stirring up the crowd. Marley classics like “Could you be Loved” were sprinkled in between Ziggy’s songs. Ziggy’s band was on point, and backed him well. The immense energy built up in the crowd was obvious. Overall, it was just a fun vibe. The massive collection of people gathered for Ziggy’s mission of love made this show work. I feel like I’ve been to many festivals with a comparable amount of people, and things can get out of hand pretty quick. Fortunately, this show did not have that problem. This show marked the last show of Del Mar’s summer series and was definitely the right way to end the summer with a bang.
After the show, Ziggy Marley invited SoCal Reggae onto his tour bus to speak with him. Ascending the stairs of the Marley bus was a surreal experience. For starters, the bus was huge! When we finally got to the top of the stairs, Ziggy’s manager and his daughter greeted us. My team’s anxiety contrasted with Ziggy’s calm aura. However, I felt surprisingly at home. He calmly waited at the table for his interview. I eased myself on the couch next to him. And here is what Ziggy Marley had to say.
Interview By: Tom Searcy
Camera: Leucadia Bob, Edit: Thomas Persichilli
Pictures By: RollinSD.com
Socal Reggae Spotlight:
Piracy Conspiracy
Piracy Conspiracy came to be in 2009/2010, down in Chula Vista, when Mel C teamed up with Scooter Maier to produce the album Lost at Sea. Shortly after that, they decided to form the band, and found them in the South Bay Wailers with Mikey on Bass, Jeremy on Guitar, and Sammy Dread on the Drums. Eventually, they improved their sound by adding the Brassholes: Jeff and Carlos on Trombone and Trumpet respectively.
Mel C has a very unique DJ Raggamuffin Style where she delivers some hardcore spoken word with a flavor of “Sister Carol”. The band will be playing at the Summer Splash Reggae on the Bay this Sunday, September 2nd at the Pier Port Pavillion in Downtown San Diego, where they plan to Debut their 2012 EP “Alpha and Omega”. For more information and TICKETS CLICK HERE
Product: A Hawaiian Import – This Saturday in Carlsbad
While Products’ roots are in Hawaii, they are making a name for themselves right here in Southern California. The foundation of the band was laid down back in 2005 by singer/songwriter Chase Cavitt, who wrote many of the songs that the band still plays today. Later on in college he met drummer Steve Barger and original bassist Kiki Dread. When Chase and Steve moved to the mainland they hooked up with bassist Rex Costales.
2010 was a good year for the guys. They played a sold out show with Groundation at the Pipeline Cafe. In 2011, Product played the Seattle Hemp Fest, with over 100,000 people in attendance, playing on the same ticket as Kotton Mouth Kings.
While Product has remained true to their Hawaiian roots musically, they have added some members. Will Boyce fills a supporting lead/rythm guitar role, and occasionally they will play with a horn section, that includes Jeff Hodson on trombone, and either Carlos Liera or Wiley Miranda on the trumpet. Regardless of who’s on stage you’re guaranteed a good time.
This summer has brought Product many new opportunities, including their debut performance at The Belly Up Tavern, in Solana Beach, where they shared the stage with DnT and Reason to Rebel. Riding the ever present wave, Product is set to hit the recoding studio with Lewis Richards, of 17th Street Records. Richards is well known in the music scene, having worked with bands like The Dirty Heads, Sublime with Rome and locals like Seedless. Products’ Ep will have 3 original songs, and should be completed by summer’s end.
These guys are all about a positive message and positive vibes! Be ready to dance the night away at any of their upcoming shows. One of my favorite songs, “Good feeling” says it all. Product will be playing this Saturday, September 29th with another amazing Hawaiian band HI Roots, at the Boar’s Crossing in Carlsbad!
For more information check them out at www.producttheband.com or on Facebook! Make sure to say what’s up if you see them out and a show!
Welcome to the Product Family!
Project: out of bounds – a Socal Reggae Spotlight
Project Out of Bounds is a progressive reggae-fusion band that has been taking California venues by surprise for the last five years. In a musical age where success is manifested through kissing ass and blasting social media sites, P.O.B. is the band that lets their art speak for itself. Their music is creative, edgy, and hip. They usually sneak under the radar right before sucker punching the crowd with an explosion of energy. They have accumulated a fan-base of true music aficionados that don’t buy into hype. Yes, this is a band for the true music fan, not just the reggae fan.

Hailing from San Diego, they have made their presence felt throughout California. This band can ace the art of roots, dancehall, and dub, while continuing their focus on versatility and progressing the genre.
Their style can be compared with the likes of other California reggae groups such as Tribal Seeds, Rebelution, or Seedless. In between the reggae structure, listeners may find anything from metal to dubstep or hip-hop to progressive rock. Pretty much any genre that can keep the dance floor hot while maintaining the desire to inspire.
New music with inspirations of classic reggae in the cracks, and a dash of thrash in your face is what makes up Project: Out of Bounds. This band strives to progress the genre while many are content with imitation.
Their first video, The Robot Song was produced by POB and Thomas Persichilli, with special effects help from Seth Minnich. It’s all about becoming a machine and working for the man, which is something that nobody wants to identify with, as much as we actually do. The Robot Song inspired an entire cult following. He actually has gone on tour with the band and will jump up on stage during the song.
Currently, a new video is in the works and is nearing completion. In the meantime, POB is working in the studio with Sound Engineer Wiley Miranda. Wiley just finished a tour with Tribal Seeds, and is very enthusiastic about this album. The Primitive Ones is a new track that has already been played live. Catch a sample of it in this clip from Winston’s in Ocean Beach about a month ago:
POB will be playing a free show this Friday, July 13th at Fratelli’s Italian Kitchen in Oceanside, which is coincidentally owned and managed by Austin Lorber(POB’s guitar player) and his brother Brandon.
Project: out of bounds (members):
Kris Asgharzadeh (vocals/rythm guitar)
Austin Lorber (lead guitar/synth)
Ryan Rutherford (drums/backing vocals)
Nate Jones (bass)
Jeff Hodson (trombone/backing vocals)
Evan Jones (keyboards)
![]() Kris |
![]() Austin |
![]() Ryan |
![]() Nate |
![]() Jeff |
![]() Evan |
For more information on the band go to the POB WEBSITE






















